GUMBRECHT PRODUCTION OF PRESENCE PDF

Book Review. Hans Ulrich Gumbrecht,. Production of Presence: What Meaning Cannot Convey. (Stanford University Press, ). With his book Production of. Hans Ulrich Gumbrecht: Production of Presence. What Meaning cannot Convey User’s manual PRESENCE PRODUCTION MEANING METAPHYSICS A spatial. Production of Presence: What Meaning Cannot Convey. Author: Hans Ulrich Gumbrecht. × (60×90/16) hard cover, pp., ISBN 5‑‑‑4 .

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Futures for the Humanities and Arts.

Hans Ulrich Gumbrecht: Production of Presence. What Meaning

Fascinating, audacious, and clearly written. As an ethnographer engaged with what Gumbrecht calls presence effects I found some of his assertions at once overly cautious and ethereal.

Not necessarily conceptual, can be substantial 4. I think the chapter entitled “Beyond Meaning Epiphany refers to a moment of intensity or loss of control related to viewing an artistic work; presentification refers to immersing oneself in the past moment of the artwork’s presenxe deixis involves the “lived experience” of artistic work, rather than the imposition of meaning.

That gratitude is sparked by “special moments of intensity” when athletes appear to go beyond the limits of human performance—which, in Ancient Greek culture, was seen as occurring in the presence of the gods.

Hans Ulrich Gumbrecht

Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities. Taking a step back from his “Farewell to interpretation” stance, this is a fascinating exploration in part via Heidegger of what the dominance of Cartesian intellectual orientations may exclude from the analysis of cultural phenomena. Positions and Concepts in Motion.

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The materiality of the body and the fixity and stability this materiality causes. Paperbackpages. The alternative approach that could illuminate aspects that were not part of an hermeneutic approach of interpretation gumbrcht search for meaning. Gumbrecht’s writing on philosophy and modern thought extends from the Middle Ages to today and incorporates an array of disciplines and styles, at times combining historical and philosophical inquiry with elements of memoir.

Most of the polemical sting is taken out of his questioning of interpretation and its claim to universality by his admission that he is not rejecting it as such, but rather seeking a richer and broader understanding of its implications, which ideally would manage to overcome its exclusive concern with meaning. Although Gumbrecht continues to teach at Stanford, he is affiliated with other universities and is a visiting professor or associate professor gubrecht institutions worldwide.

Focusing on the atmosphere produced by a work of literature presencw experienced by the work’s reader, he argues, is crucial to the intellectual practice of reading and analyzing literature. The quest for presence he is advocating does not imply an obturation of the dimension of meaning fundamental to interpretation: Space, Politics, Affect N. Being refers to the things of the world prior to their interpretation.

The Production of Presence: What Meaning cannot convey

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That seems to be the case with this book. By using this site, you agree to the Terms of Use and Privacy Policy. The Production of Presence: Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication presencw interpretation, i.

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Gumgrecht specialized in Romance Philology and German Literaturebut also studied philosophy and sociology during his university years, which took him to MunichRegensburgSalamancaPaviaand Konstanz.

Power Point on Heidegger and Merleau-Ponty.

Being belongs to the dimension of things. This book is not yet featured on Listopia.

Hans Ulrich Gumbrecht. Production of Presence: What Meaning Cannot Convey | New Literary Observer

Salome Choa rated prsence it was amazing Feb 12, As a scholar, Gumbrecht focuses on the histories of the national literatures in Romance language especially French, Spanish, and Brazilianbut also on German literature, while, at the same time, he teaches and writes about the western philosophical tradition almost exclusively on non-analytic philosophy with an emphasis on French and German nineteenth- and twentieth-century texts.

The case for presence is thereby overstated, since no room is left for any role that meaning might play in our bodily appropriation of the world. Gumbrecht’s project is to provide a new mode for exploring and understanding the aesthetic experience of sports spectatorship, or what precisely makes certain athletic moves and plays “beautiful.

As well as publishing academic works and teaching graduate and undergraduate students at Stanford, Gumbrecht is recognized as a gumbdecht intellectual in Europe and South America and contributes to a range of newspapers and journals in English, Pressnce, Portuguese, and Spanish. On a Hidden Potential of Literature. Lists with This Book.